Boethius

The Consolation of Philosophy: Revised Edition (Penguin Classics)

The Consolation of Philosophy

The Consolation of Philosophy (Oxford World's Classics)

Boethius composed De Consolation Philosophiae in the sixth century A.D. while awaiting death by torture, condemned on a charge of plotting against Gothic rule, which he protested as manifestly unjust. Though a Christian, Boethius details the true end of life as the soul's knowledge of God, and consoles himself with the tenets of Greek philosophy, not with Christian precepts. Written in a form called Meippean Satire that alternates between prose and verse, Boethius' work often consists of a story told by Ovid or Horace to illustrate the philosophy being expounded. The Consolation of Philosophy dominated the intellectual world of the Middle Ages; it inspired writers as diverse Thomas Aquinas, Jean de Meun, and Dante. In England it was rendered into Old English by Alfred the Great, into Middle English by Geoffrey Chaucer, and later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanor of the author, and the Meippean texture of part prose, part verse have been a fascination for students of philosophy, literature, and religion ever since.

Consolation of Philosophy

Unjustly imprisoned and waiting to die, Boethius penned his last and greatest work, Consolation of Philosophy, an imaginary dialogue between himself and Philosophy, personified as a woman. Reminiscent of Dante in places, Boethius's fiction is an ode-to-philosophy-cum-Socratic-dialogue. Joel Relihan's skillful rendering, smoother to the modern ear than previous translations, preserves the book's heart-rending clarity and Boethius's knack for getting it just right. Listen to him on fortune: "We spin in an ever-turning circle, and it is our delight to change the bottom for the top and the top for the bottom. You may climb up if you wish, but on this condition: Don't think it an injustice when the rules of the game require you to go back down."

Consolation of Philosophy recalls the transience of the material world, the eternality of wisdom, and the life of the philosopher. Boethius was deeply influenced by the Platonist tradition, and this piece is one of the more powerful and artful defenses of a detachment that feels almost Buddhist. For anyone who's felt at odds with the world, Consolation is a reminder that the best things in life are eternal. Boethius must be right: the book is just as meaningful today as it was in the sixth century when he wrote it. --Eric de Place

Joel Relihan's translation highlights the poetry of the Consolation while remaining faithful to Boethius' Latin.

The Consolation of Philosophy (Oxford World's Classics)

Boethius composed De Consolation Philosophiae in the sixth century A.D. while awaiting death by torture, condemned on a charge of plotting against Gothic rule, which he protested as manifestly unjust. Though a Christian, Boethius details the true end of life as the soul's knowledge of God, and consoles himself with the tenets of Greek philosophy, not with Christian precepts. Written in a form called Meippean Satire that alternates between prose and verse, Boethius' work often consists of a story told by Ovid or Horace to illustrate the philosophy being expounded. The Consolation of Philosophy dominated the intellectual world of the Middle Ages; it inspired writers as diverse Thomas Aquinas, Jean de Meun, and Dante. In England it was rendered into Old English by Alfred the Great, into Middle English by Geoffrey Chaucer, and later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanor of the author, and the Meippean texture of part prose, part verse have been a fascination for students of philosophy, literature, and religion ever since.

The Consolation of Philosophy

In this highly praised new translation of Boethius’s The Consolation of Philosophy, David R. Slavitt presents a graceful, accessible, and modern version for both longtime admirers of one of the great masterpieces of philosophical literature and those encountering it for the first time. Slavitt preserves the distinction between the alternating verse and prose sections in the Latin original, allowing us to appreciate the Menippian parallels between the discourses of literary and logical inquiry. His prose translations are lively and colloquial, conveying the argumentative, occasionally bantering tone of the original, while his verse translations restore the beauty and power of Boethius’s poetry. The result is a major contribution to the art of translation.

Those less familiar with Consolation may remember it was written under a death sentence. Boethius (c. 480–524), an Imperial official under Theodoric, Ostrogoth ruler of Rome, found himself, in a time of political paranoia, denounced, arrested, and then executed two years later without a trial. Composed while its author was imprisoned, cut off from family and friends, it remains one of Western literature’s most eloquent meditations on the transitory nature of earthly belongings, and the superiority of things of the mind. In an artful combination of verse and prose, Slavitt captures the energy and passion of the original. And in an introduction intended for the general reader, Seth Lerer places Boethius’s life and achievement in context.

Theological Tractates and The Consolation of Philosophy (Loeb Classical Library)

Boethius (Boetius)—Anicius Manlius Severinus—Roman statesman and philosopher (ca. 480-524 CE), was son of Flavius Manlius Boetius, after whose death he was looked after by several men, especially Memmius Symmachus. He married Symmachus's daughter, Rusticiana, by whom he had two sons. All three men rose to high honours under Theodoric the Ostrogoth, but Boethius fell from favour, was tried for treason, wrongly condemned, and imprisoned at Ticinum (Pavia), where he wrote his renowned The Consolation of Philosophy. He was put to death in 524, to the great remorse of Theodoric. Boethius was revered as if he were a saint and his bones were removed in 996 to the Church of S. Pietro in Ciel d'Oro, and later to the Cathedral. The tower in Pavia where he was imprisoned is still venerated.

Boethius was author of Latin translations of Aristotle, commentaries on various philosophical works, original works on logic, five books on music, and other works. His The Consolation of Philosophy is the last example of purely literary Latin of ancient times—a mingling of alternate dialogue and poems. His Theological Tractates are also included in this volume.

Consolation Of Philosophy: Milestones Of Thought

The Consolation of Philosophy

The Consolation of Philosophy is considered widely to be the single most important work from the West during Medieval and early Renaissance Christianity. Often called the last great Classical work, authored by Boethius while a prisoner awaiting execution, had the goal and intent of preserving ancient classical knowledge, specifically relating to philosophy. This is a key work in the field of philosophy and is highly recommened for both students of philosophy as well as those who are interested in reading the important philosophical writings of Boethius.

Boethius: The Consolation of Philosophy (abridged)