The Everlasting Man (Dover Books on Western Philosophy)
by G. K. Chesterton
from Dover Publications
What, if anything, is it that makes the human uniquely human? This, in part, is the question that G.K. Chesterton starts with in this classic exploration of human history. Responding to the evolutionary materialism of his contemporary (and antagonist) H.G. Wells, Chesterton in this work affirms human uniqueness and the unique message of the Christian faith. Writing in a time when social Darwinism was rampant, Chesterton instead argued that the idea that society has been steadily progressing from a state of primitivism and barbarity towards civilization is simply and flatly inaccurate. "Barbarism and civilization were not successive stages in the progress of the world," he affirms, with arguments drawn from the histories of both Egypt and Babylon.
As always with Chesterton, there is in this analysis something (as he said of Blake) "very plain and emphatic." He sees in Christianity a rare blending of philosophy and mythology, or reason and story, which satisfies both the mind and the heart. On both levels it rings true. As he puts it, "in answer to the historical query of why it was accepted, and is accepted, I answer for millions of others in my reply; because it fits the lock; because it is like life." Here, as so often in Chesterton, we sense a lived, awakened faith. All that he writes derives from a keen intellect guided by the heart's own knowledge. --Doug Thorpe
Men are moved in these things by something far higher and holier than policy; by hatred. When men hung on in the darkest days of the Great War, suffering either in their bodies or in their souls for those they loved, they were long past caring about details of diplomatic objects as motives for their refusal to surrender. Of myself and those I knew best I can answer for the vision that made surrender impossible. It was the vision of the German Emperor's face as he rode into Paris.
The Man Who Was Thursday: A Nightmare (Modern Library Classics)
by G.K. Chesterton
from Modern Library
In an article published the day before his death, G.K. Chesterton called The Man Who Was Thursday "a very melodramatic sort of moonshine." Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from "the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon."
But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox:
He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.Elected undercover into the Central European Council of anarchists, Syme must avoid discovery and save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. --Kerry Fried
G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.
Widely considered as Chesterton's masterpiece, The Man Who Was Thursday (1908) defies classification. Subtitled 'A nightmare' by Chesterton, on one level it is a fast-moving and surreal detective story. Drawing on contemporary fears of anarchist conspiracies and bomb outrages, The Man Who Was Thursday is firmly rooted in its time and place - turn-of-the-century London - but it also defies temporal boundaries. Police Detective Syme finds himself drawn into a world that seems to have gone beyond humanity when he is elected 'Thursday', one of the members of the Central European Council of seven monarchs. Dreamlike, prophetic, and frequently funny, the novel attacks contemporary pessimism and, through a bizarre series of pursuits and unmaskings, returns Syme - and us - to earth more aware of its beauty, promise, and creative potential.
The Man Who Was Thursday
by G. K. Chesterton
from Echo Library
Saint Thomas Aquinas: The Dumb Ox
by G.K. Chesterton
from Image
It is known that when the great Catholic writer G.K. Chesterton began his book on Saint Thomas Aquinas (who is, quite possibly, the most influential of all Christian theologians), "his research for the project consisted of a very casual perusal of a few books on his subject." To say that Chesterton was no authority is an understatement. To say further that he has written a masterpiece of elucidation may also be an understatement. Etienne Gilson, the chief scholar of Aquinas in the 20th century, said flatly "I consider it as being without possible comparison the best book ever written on St. Thomas. Nothing short of genius can account for such an achievement.... Chesterton was one of the deepest thinkers who ever existed; he was deep because he was right; and he could not help being right; but he could not either help being modest and charitable, so he left it to those who could understand him to know that he was right, and deep."
So how has he accomplished this feat? By simplifying, as his editor says, without oversimplifying. He turns his own lack of intimate knowledge to his advantage by concentrating on the core elements of Aquinas' thinking: his affirmation of the goodness of creation; his defense of common sense; and "the primacy of the doctrine of being." In this way he grasps--and helps us grasp--the importance of Aquinas for us today. As Raymond Dennehy has written, it's as if Chesterton is saying to us "the truths [Aquinas] was getting at--the basic principles of reality and reason--are in themselves really quite simple. Your basic intuitions were right all along." --Doug Thorpe
A trade paperback edition of the classic portrait of Thomas Aquinas, one of the greatest of Christian philosophers, by one of the greatest of modern religious writers.
The Complete Father Brown Stories (Wordsworth Classics) (Wordsworth Collection)
by G. K. Chesterton
from Wordsworth Editions Ltd
Father Brown, one of the most quirkily genial and lovable characters to emerge from English detective fiction, first made his appearance in The Innocence of Father Brown in 1911. That first collection of stories established G.K. Chesterton's kindly cleric in the front rank of eccentric sleuths. This complete collection contains all the favourite Father Brown stories, showing a quiet wit and compassion that has endeared him to many, whilst solving his mysteries by a mixture of imagination and a sympathetic worldliness in a totally believable manner.
What's Wrong With the World
by G. K. Chesterton
from Ignatius Press
I originally called this book What is Wrong, and it would have satisfied your sardonic temper to note the number of social misunderstandings that arose from the use of the title. Many a mild lady visitor opened her eyes when I remarked casually, I have been doing 'What is Wrong' all this morning. And one minister of religion moved quite sharply in his chair when I told him (as he understood it) that I had to run upstairs and do what was wrong, but should be down again in a minute.
Orthodoxy (Hendrickson Christian Classics)
by G. K. Chesterton
from Hendrickson Publishers
If G.K. Chesterton's Orthodoxy: The Romance of Faith is, as he called it, a "slovenly autobiography," then we need more slobs in the world. This quirky, slender book describes how Chesterton came to view orthodox Catholic Christianity as the way to satisfy his personal emotional needs, in a way that would also allow him to live happily in society. Chesterton argues that people in western society need a life of "practical romance, the combination of something that is strange with something that is secure. We need so to view the world as to combine an idea of wonder and an idea of welcome." Drawing on such figures as Fra Angelico, George Bernard Shaw, and St. Paul to make his points, Chesterton argues that submission to ecclesiastical authority is the way to achieve a good and balanced life. The whole book is written in a style that is as majestic and down-to-earth as C.S. Lewis at his best. The final chapter, called "Authority and the Adventurer," is especially persuasive. It's hard to imagine a reader who will not close the book believing, at least for the moment, that the Church will make you free. --Michael Joseph Gross
Hardcover Classics at Paperback Prices!
"One of the top 10 Christian books of the twentieth century." —Christianity Today
Gilbert Keith Chesterton (1874-1936) has been called "the ablest and most exuberant proponent of orthodox Christianity of his time." One of the twentieth century's most thoughtful authors, he greatly influenced countless Christian writers including C.S. Lewis and others. Described as one of 10 "indispensable spiritual classics" of the past 1500 years by Publishers Weekly, Chesterton's Orthodoxy offers a unique explanation of the essentials of the Christian faith, and of his own journey from skepticism to belief.
"It is constantly assumed, especially in our Tolstoian tendencies, that when the lion lies down with the lamb the lion becomes lamb-like. . . . That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is—can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved."—from Orthodoxy
Every Christian library needs the classics—the timeless books that have spoken powerfully to generations of believers. Hendrickson Christian Classics allow readers to build an essential classics library in affordable modern editions. Each volume is freshly retypeset for reading comfort, while thoughtful new introductions place each in historical and spiritual context. Attractive, classically bound covers look great together on the shelf. Best of all, value pricing makes this series easy to own. Planned to span the spectrum of Christian wisdom through the ages, Hendrickson Christian Classics set a new standard for quality and value.
This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book called "Heretics" because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is unavoidably affirmative and therefore unavoidably autobiographical. The writer has been driven back upon somewhat the same difficulty as that which beset Newman in writing his Apologia; he has been forced to be egotistical only in order to be sincere. While everything else may be different the motive in both cases is the same. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer. It deals first with all the writer's own solitary and sincere speculations and then with all the startling style in which they were all suddenly satisfied by the Christian Theology. The writer regards it as amounting to a convincing creed. But if it is not that it is at least a repeated and surprising coincidence. --G. K. Chesterton.
The Collected Works of G.K. Chesterton, Vol. 1: Heretics, Orthodoxy, the Blatchford Controversies (Collected Works of G. K. Chesterton)
by G. K. Chesterton
from Ignatius Press
The Man Who Was Thursday
by G.K. Chesterton
from Cosimo Classics
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Considered by many readers to be his best work, this 1908 novel is an outrageous satire about a club of gentlemen in London at the turn of the 20th century who have vowed to destroy the world. Subtitled "A Nightmare," and bursting with Chesterton's trademark wit and abundant in surprising metaphors about religion, nature, and human civilization itself, it is a philosophical and ironic wonder, a delight to read and an even greater delight to ponder.
Favorite Father Brown Stories (Dover Thrift Editions)
by G. K. Chesterton
from Dover Publications
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